The Zorg by Siddharth Kara: A Review of Scarcely Imaginable Horrors at Sea
Over the course of nearly four centuries, the transatlantic slave trade resulted in 12.5 million Africans trafficked from their homelands to the Americas. A staggering 1.8 million of those souls died during the voyage, subjected to scarcely imaginable conditions of extreme confinement, squalor, and disease. Some chose to end their suffering by throwing themselves overboard, while still more were callously thrown into the sea.
A Tale of Two Stories
In The Zorg, author Siddharth Kara weaves together two parallel narratives. The first details a harrowing incident aboard the eponymous slave ship—the deliberate murder of 132 captive individuals by its British crew. The second story explores how this atrocity came to influence the ending of the Atlantic slave trade in 1807, driven in large part by the dedicated work of a coalition of committed campaigners. Among them was Olaudah Equiano, who authored one of the rare first-person narratives of the Middle Passage, describing it as “a scene of horror almost inconceivable”.
Liverpool's Central Role
The account begins in Liverpool, a port city that at the peak of its economic power was accountable for 40% of Europe's slave trade. Financing slavery was a lucrative venture for everyone from the elites but also the common people. One such investor, William Gregson, accumulated his earnings from his trade, invested them into the slave trade, and eventually became a prominent citizen and later mayor. Gregson provided the funds for the slave ship The William, which departed from Liverpool for West Africa in October 1780 under Captain Richard Hanley. Its cargo was loaded with commodities like tobacco, firearms, knives, and so-called “India goods” such as chintz and cowrie shells—the latter being a standard rate in the purchase of human beings.
The Capture of the Zorg
Around the same time, a Dutch slave vessel named the Zorg (later anglicized by the British as the Zong) had departed the Netherlands. With Britain declaring war on the Dutch in late 1780, the Royal Navy granted British ships authority to capture Dutch property at sea—a virtual sanctioning of privateering. The Zorg was soon captured by a British captain and anchored off the Gold Coast. Meanwhile, Captain Hanley, on a slaving expedition, took aboard a fleeing British governor named Robert Stubbs, who had been removed for graft.
A Voyage into Hell
When Hanley arrived at Cape Coast Castle—a fortress with a vast holding cell beneath it—he assumed control of the captured Zorg. He then severely overcrowd it with enslaved people, placed a dozen of his own crew on board, and appointed Luke Collingwood, a ship's surgeon of dubious seamanship, its captain. In August 1781, the Zorg left Accra carrying 442 enslaved Africans, 17 crew members, and one notorious passenger: the former governor, Robert Stubbs.
Kara is particularly skilled at using historical documents to vividly reconstruct the general hell of being trafficked on a slave ship.
The Zorg's journey was plagued with disaster. Dysentery ravaged the vessel, followed by scurvy. The captain fell ill, lost his senses, and handed command over to Stubbs. Thus, “a ship full of decay and death was being commanded by a passenger.” Kara effectively employs eyewitness accounts to illustrate of the sheer horror. The powerful testimony of Alexander Falconbridge, a doctor who became an activist, details how the captives' skin was frequently worn down to the bone from being packed on bare wood, their flesh caught between the planks.
A Calculated Atrocity
By late November 1781, the Zorg was far from Jamaica and dangerously short on water. The crew made the decision to throw overboard a number of the captives, who had already endured months of appalling conditions below deck. This monstrous act was not motivated by ensuring survival—the Africans had pleaded to be allowed to live, even without water rations—but by pure economic greed. Maritime insurance policies did not cover deaths from disease, but they would pay for cargo jettisoned out of “necessity” for the ship's safety. Over several days, the crew drowned “those Africans who would be worth less at auction”—the infirm, the sick, along with women and children, among them a baby born during the voyage.
The Courtroom Battle
Back in Liverpool, investor William Gregson was dissatisfied with the financial return on his venture. He submitted an insurance claim for £30 per drowned captive—a substantial sum in today's money. The insurers declined to pay. In March 1783, Gregson took them to court and was awarded a trial by jury, with his lawyers arguing that throwing the enslaved people overboard had been “necessary.”
The Spark for Abolition
According to Kara, “there is a direct line of causality between the public exposure of the Zorg murders and the first movement to abolish slavery in England.” Merely twelve days after the trial, an anonymous letter appeared in a prominent English newspaper. The author, who claimed to have been present the court proceedings, made a powerful case against slavery, using the Zorg case as a prime example of its inherent evil. Olaudah Equiano read the letter and brought it to the activist Granville Sharp, who filed a motion for a new trial. At the following hearing, the events on the Zorg were examined in forensic detail, exactly what the abolitionists had wanted.
The Road to 1807
In the spring of 1787, the founding members of the Society for Effecting the Abolition of the Slave Trade first met. Over the subsequent years, they wrote letters, orated, organized campaigns, and gathered evidence on the realities of the slave trade. “Their efforts,” Kara writes, “would lay a blueprint for the pursuit of social justice.” After years of struggles, the Act for the Abolition of the Slave Trade was finally passed in 1807.
A Lasting Legacy
The question of who or what should be credited for abolition is a matter of debate. The Zorg's influence, however, is visibly evident in J.M.W. Turner's famous painting, The Slave Ship, which was based on the events of 1781. While slavery has been near-universal in human history, its abolition following a sustained public movement was unprecedented, serving as an affirmation to the power of persistent activism, the pen, and unwavering persistence.
The Author's Approach
In contrast to his previous books—such as the Pulitzer finalist Cobalt Red—Kara has had to address certain lacunae in the available documentation. Consequently, speculative passages contrast with scrupulously factual accounts, giving the book a slightly chimeric feel. A blend of narrative suspense and part historical analysis, The Zorg ultimately succeeds in illuminating one of history's most horrific episodes, using compelling prose and meticulous research to create a account that stays with the reader well after the final page.